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LPI, DPI and PPI - What is the difference?

We are constantly being asked "What is the difference?" We will try to give our opinion, but we are sure there are many other thoughts on this difficult question.

LPI. Lines per inch. This term goes back to the graphic arts industry. In fact, way back. When printers were trying to find a way to print photographs, they had a major problem. Printing presses would only print ink or NOT print ink. There was no way to print a continuous tone image. They came up with a method of etching vertical lines on a glass plate. They took 2 plates and put them at right angles, then photographed the photograph through these plates onto high contrast film. This gave a halftone negative with varying sizes of dots that could be printed by a printing press. The number of lines per inch on the glass plates was referred to as lines per inch. LPI has been used to this day, referring to the number of halftone dots that occur on a linear inch.

DPI. Dots per inch. This is the hard one, as there are different ways of thinking about this.

It's easy if you are thinking of a graphic arts printing press. There are so many halftone dots per linear inch of image. As an example, there are 75 half-tone dots per inch (lpi) in a newspaper, 133 half-tone dots per inch (lpi) in a magazine or 175 half-tone dots per inch (lpi) in a high quality brochure. Do you see the problem? Are we talking LPI or DPI? We are talking about both. True at 75 dots per inch (lpi), there is room for only 75 equally spaced areas for half-tone dots per inch in a newspaper --BUT there are many different sizes of these dots which can fit into each designated area.

In the digital world of 8-bit data there are 256 different sizes of these dots but still only 75 different dots per inch. The graphic arts industry usually refer to the dots as 0% to 100% density of printing area.

If we are referring to a continuous tone photo printer (like the Chromira, Lambda or Lightjet) things are a little different. The photo printers print at 300 pixels per inch. If we can think of the 300 pixels per inch as 300 different areas into which we can print it may be easier. Each area is 1/300 by 1/300 of an inch in space. Into this we are not making different size dots but exposing the whole (1/300x1/300) area to make a density from 0-255 (0=no color, 127=mid-tone and 255=solid color). Since the eye and the photographic material can only resolve so much data, these areas blend together to form a true continuous tone photograph.

The ink jet printers are again different and yet still use the same terms. For example, a printer may be referred to as 1440 x720 dpi. Most ink jet printers can only print one size dot. (Our Roland HiFi 8 color ink jet and the new Epson 10000 do print 3 different size dots).

If we divide a square inch up into an area of 1440x720 squares, we have the area in which we can place a dot of ink. So if we are printing a very light area we leave a lot a squares with no ink around the few dots that make up the image. If we need a midtone area, we will fill about one half of the areas with dots of ink, and if we need a solid colored area we will fill each of the squares with a dot of ink. Because the dot sizes are all of the same size on most printers, in very light areas the cyan and magenta would be very noticeable. Some printers use light magenta and light cyan ink to combat this problem.

Advanced printers have gone to 3 sizes of dots for a smoother more continuous tone look. This allows dots to be placed closer together in the light areas, giving a much smoother finished print. This is the reason the Roland HiFi 8 color ink jet printer and Epson 10,000 have gone to 3 sizes of dots for a smoother more continuous tone look.

PPI. Pixels per inch. "Pixels per inch" refers to the number of pixels that are in a digital file. If the RGB file is an 8x10 at 200 ppi the files size is 9.16 MB. RGB color consists of 200 ppi of information in each of the 3 colors. Each pixel consists of 8 bits of information per color. This equals 256 levels of color in each color--or a total of over 16 million possible colors (256x256x256).

PPI can also refer to the total number of pixels a scanner can capture. Our Tango (PrimeScan) can capture up to 11,000 pixels per inch from the original while scanning. Other scanners refer to the total number of pixels that they can capture while scanning the largest image area. Flatbed scanners usually refer to 600x1200 pixels over the whole scanning bed. Some of the consumer scanners such as the Polaroid 4000 refer to the total number of pixels it can capture.

Confusing, isn't it? I have spent over 50 years dealing with these issues, and now that we are blending photography with the graphic arts world the issues become even more complex. It's our expertise that sets us apart from the rest.

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Laser Light Photographics & Printmaking, Inc.
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last updated: 31 July, 2006